![]() However, it’s pretty clear that shows being made on both ends of the age spectrum are getting closer and closer to meeting in the middle. Unfortunately, there’s a big gap in the middle which assumes teens don’t watch animation, and that adults avoid non-comedic animation. ![]() We’re starting to see that change with heady and emotional shows like Bojack Horseman and Rick and Morty. Meanwhile, Western adult animation is always branded as a comedy. Overall, the fight has been a lot of pushing for emotionality in children’s shows, a lot of testing how “aged-up” you can make children’s cartoons. The Book 4 protagonists, Min-Gi and Ryan in an art museum car. Unfortunately, the people in charge didn’t grow up with anime, so they often miss its value. Anime can be kid-oriented, but can also veer into adult themes.Īs kids, many show creators were watching the adult stuff, so they’re trying to recreate what anime does in the American market. It’s clear that anime has influenced an entire generation of cartoon creators. Hence, you get shows like Steven Universe, Owl House, She-Ra, Kipo, OK K.O., Rise of the TMNT, etc. They want to make stuff similar to what they watched when they were kids. Those kids are now in their 30s and making their own TV shows. How do you think the growing popularity of anime affects this?Īnime influenced kids in the ‘90s and ‘00s due to packaging like Toonami. There’s an ongoing discussion about allowing adult animation to be more than comedy. Most of the animation that has impacted me has been animation for special effects purposes, meaning The Matrix, the stop motion in Star Wars, Starship Troopers, Jurassic Park, etc. It was new at the time, and I wanted to go into special effects. In college, I realized 2D animation held so much potential.īefore that, I was really into 3D animation. Until then, I had only seen 2D animation as something aimed at kids and I hated anime. I really started getting into 2D animation during college. The Mysterious Stranger from the Adventures of Mark Twain is pretty influential. It sparks the “I have a problem? No I don’t. You can’t start therapy until you know you have a problem. ![]() In every Book, the protagonist spends some time discovering what the numbers on their hand mean. In Season 4, there are a lot of expectations about the show’s tone. In Season 3, people assumed there would be a redemption arc for everyone. People assumed Season 2 would feature more Tulip, but we subverted that with new main characters. This interview has been edited for brevity and clarity. It would've happened in a few seasons.”ĭennis spoke with Inverse via email about unused ideas, what he tried to achieve with Infinity Train, and where he thinks the series could go from here. “We knew exactly how it was going to end – it was bittersweet and beautiful. “I really wanted to explore the Hazel and Amelia story,” Dennis says. After a series of executive-level decisions, the show made its seemingly final stop with the release of Infinity Train Book 4: Duet, which was released on HBO Max on April 15, 2021, though series creator Owen Dennis tells Inverse he had plans for future seasons, a movie, and even a video game. As a result, Infinity Train deals with heavier themes than you might expect from a kids’ cartoon, which made the series a cult hit with adults and children alike.īut that same iconoclastic storytelling has also been the Infinity Train’s downfall. To return to their lives, they have to undergo emotional growth. Infinity Train is a rarity in animation - a cartoon billed as an anthology series.Įach season focuses on a passenger that has been trapped on the mysterious train.
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